Title: Catchy Melody! Can't Get It Out Of My Head! Source:
Tavistock Institute-Committee Of 300 URL Source:http://www.illuminati-news.com/rock_and_mc.htm Published:Aug 13, 2010 Author:HOUNDDAWG Post Date:2010-08-13 05:46:30 by HOUNDDAWG Keywords:sausage pull Views:289 Comments:38
Among the conspiracies attributed to The Tavistock Institute was the creation of the 12-atonal system of "music".
This is defined (by wiki-another conspirator-come-lately) as "...a means of ensuring that all 12 notes of the chromatic scale are sounded as often as one another in a piece of music while preventing the emphasis of any[2] through the use of tone rows, an ordering of the 12 pitches. All 12 notes are thus given more or less equal importance, and the music avoids being in a key." link
The resulting music (which sounds like a cat walking on a piano played at high speed) was supposedly coupled with the planned social decay and youth rebellion that was The Beatles.
Now, as much as I love conspiracies, particularly those that accuse govt think tanks and NGOs of the most evil agendas, I really can't embrace those that just don't make sense to me. Below is an example of the 12 tone system by The Bill Evans Trio, and when I compare it to the absolutely "FAB" music that was released under The Beatles' name, it just doesn't add up.
Beatles tunes had a way of sticking in my head and making me green with envy because I didn't write the songs. But when I listened to the Bill Evans song the one thing I couldn't honestly say was "Catchy Melody! Can't Get It Out Of My Head!".
Bill Evans Trio - Twelve Tone Tune Two (Denmark 1975) part 5
Poster Comment:
If you had the choice of ghost writing Beatles songs to further some long term evil lizard skullduggery or being famous (and rich, popular at parties and sexually exhausted) for your timeless compositions, which would you choose?
I mean, if someone had the ability to win every time at the track, in Vegas or in the stock market, would they be more likely to sell that skill for a salary and modest govt (or sheep dipped cover story) pension or, to go into biz for themselves?
Of course a truly demonic entity may have been able to touch the souls of young people with great rhythms, lyrics and melodies and remain immune to it, too. But, I find it implausible in the extreme that anyone who could compose timely tunes with such mass appeal would choose to function as an anonymous bureaucrat/enemy agent in some lofty British circle jerk of an institute.
now that's my kind of instrumental. i'm not a jazz fan at all.
Try the LA4 (Sorry don't know how to link to videos.).
Preferably with the original line up:
Guitar: Laurindo Almeida
(When Andres Segovia was still alive Laurindo Almeida was acknowledged to be his only living equal. His guitar work can only be described as virtuoso.)
Drums: Shelley Mann (Had forgotten more about percussion than most know. Buddy Rich couldn't touch him on a bad day.)
Bass: Ray Brown (The Master of the Stand-up Bass.)