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Title: Madonna’s NFL Half Time Show - Satanic Ritual
Source:
Hollywood Illuminati
URL Source: http://hollywoodilluminati.com/2012 ... sguised-in-the-half-time-show/
Published: Feb 6, 2012
Author: Nicolas Duplessis
Post Date: 2012-02-08 08:52:04 by Bill D Berger
Keywords: None
Views: 11220
Comments: 418
Madonna’s NFL Satanic Ritual disguised as Church Music. by Nicolas Duplessis. 
(The Illuminati always has to do its rituals between the New Moon and Full Moon. The Full Moon is in 2 more days, so it is their time for rituals & what better place than a Half Time show with millions of people?)
(Madonna opened with a Roman Theme but she didnt have a Roman Helmet, instead she had a ritual Lucifer horned crown of gold!)
(Madonna used Satan horns for her opening act)
(The male dancers in Act 2 (Track: Music) made a quick pyramid and Madonna slithered through the pyramid like a snake. The pyramid in the photo is Satan’s Pyramid and an occult seal used to invoke Satan during rituals.)
(Light sticks are used in Illuminati Rituals, to worship Lucifer, and they are often held by the observers of the rituals, as a way of participating. )
(To worship Lucifer, one must wear mostly red and black. Madonna had on a black robe but the entire color scheme of the entire show was blk/red if you take into account her dancers starting in the second part of Act 2 with the cheer-leader rappers)
(Photo from Infowars.com)
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Begin Trace Mode for Comment # 383.
#203. To: Bill D Berger (#0)
She's been a proud jezebel for as long as I can remember.
Actually I would not rate her quite that high. Depraved and Degenerate come to mind as ready adjectives. Also PsyOps. Her performance had to have been scripted with the delivery of specific messages to particular audiences depending upon a person's level of knowledge and awareness. Her book "Sex" gives some insight into her true level of dark depravity.
OI, not EVERYTHING you see is a "psyop". If anything, the elite would like to silence people who promote world peace, such as Madonna. You really have me scratching my head over this.
OI, not EVERYTHING you see is a "psyop". If anything, the elite would like to silence people who promote world peace, such as Madonna. You really have me scratching my head over this. No, not everything is PsyOps and I have never said it was. However, we are bathed in Psych manipulation to such a great extent that to some degree people have tended not to notice, or it blends in, because it IS present in a very large degree. Read the "Laurel Canyon" series sometime and look at some of the other outside research that has been done on how the popular culture is manipulated. I am not a "stick up my ass" Christian who is trying to enforce my personal view of morality on others, but that Christian morality, much of which is good and wholesome, is one of the things our power elite is busily trying to destroy because it runs counter to their plans for social manipulation and the normalization of perversity - such as has already been done with homosexuality. When I say that the PsyOps manipulation of our culture is pervasive I am not kidding. Once you are sensitized to it and start looking and analyzing a lot of it, not all, starts popping right out at you. The ghost of Sigmund Fraud and his ill begotten nephew Edward Bernays must be suffering gales of laughter about now. This imposition has not grown up overnight but it has been increased tremendously through the control of the popular media. Compare and contrast 1950's and early 1960's television with the manipulative schlock that is on the air now. I could spend a couple hours just analyzing and documenting the different types of manipulation, citing specific examples, were I inclined to take the time. I just find it a more profitable use of my time to exhort people to think for themselves - learn basic logic, and research, read, and research some more. One of my favorite examples is the less than amazing Randi and the so-called "Skeptics". While some of them are just suckers parroting the lines they've been fed at its core are series of potent memes: That is before we get into the specifics of what they say on any given topic and why. (Hint a lot of it comes out of places such as Langely Virginia and Tavistock, and no I can't prove it with a smoking gun, but that is my studied opinion after years of looking at it and analyzing it. The different threads from a multitude of different sources makes proving it an arduous task - which also requires stripping away a lot of false data from the minds of the audience.) As for "World Peace" the NWO is promoting "World Peace" from their perverted point of view. Of course if that means enslaving 99% of the population after killing off 85% of the population - well hey, "you can't make an omelet without breaking eggs".
It is like they are mocking us with the "world peace" message at the end knowing that they are about to start the most deadliest war the world has ever known.
WTF, how can you people see something sinister in a Superbowl performance which ends with the words "World Peace" spelled out in lights? Would you rather they have said "Let's nuke Iran"? Paranoia is a sickness you know.
Just to be a pain, contrarian that I sometimes am, the word "allegory" comes to mind. In a play rife with symbology and the overtones implied, or suggested, by the symbology the word "lights" stands out to my gimlet eye. Who is called the "Lord of Light" or "The Shining One"?
Who is called the "Lord of Light" or "The Shining One"? So what did you want them to do, spray paint the football field with black lettering and shine lights on it? Oh right, lights are bad. OMG OI, you have lost it.
Context is everything. I expected the response so I almost didn't float the thought and the association. However, you did not deny the allegorical representation as it does fit. It may not be correct but it does fit. Data insufficient to say if that was the intent. However, given the entire occultic context of her performance the comparison is almost inescapable.
Oh and as far as your claim that you see the word "Lights" somewhere in the stadium, can you point out exactly where you see this? Perhaps you're hallucinating OI, as I don't see it anywhere.
I did not make that assertion. You've misread my commentary somewhere.
Let me refresh your memory a bit. You posted this back in Post 234; Who is called the "Lord of Light" or "The Shining One"? Were you "speaking in tongues" perhaps, and forgot what you said in that altered state?
Let me refresh your memory a bit. You posted this back in Post 234; Who is called the "Lord of Light" or "The Shining One"? Were you "speaking in tongues" perhaps, and forgot what you said in that altered state? Actually 234 was your post and what you list here was my response to your 234 which is post 235. So, your 234 says in part (in response to RickyJ): Ricky: It is like they are mocking us with the "world peace" message at the end knowing that they are about to start the most deadliest war the world has ever known. FL: WTF, how can you people see something sinister in a Superbowl performance which ends with the words "World Peace" spelled out in lights? (emphasis mine) And in context my use of the word "lights" in 235 is in direct response to your use of the word in 234 i.e., the lights at the end of her number.
My bad, yeah it was post 235 I was talking about. So to get to the point, you now find the word lights to be a satanic word, right? WTF have you been smoking or sniffing these past few days OI? Whether it was flashlights or candles, who gives a shit, and if you think that the word lights has some sort of negative connotation, you've lost it.
I did not say it was a definite conclusion - it was just an association I floated as a follow on as suggested by your post. "Da Debil made me do it." However, if one presumes a Satanic/Occultic motivation underlying the "performance" it does fit. However, I am not a mind reader (except occasional flashes) and cannot say with any certainty that was part of the symbolism inherent in an obviously occultic themed "performance". Nothing more, or less. Just another datum to place in the Matrix and see how well it fits.
You dug yourself into a pit so deep, you can't get out. Oh, you tried, when you wrote "I did not say it was a definite conclusion - it was just an association I floated as a follow on as suggested by your post. "Da Debil made me do it." and this little gem: However, I am not a mind reader (except occasional flashes) and cannot say with any certainty that was part of the symbolism inherent in an obviously occultic themed "performance". Nothing more, or less. Just another datum to place in the Matrix and see how well it fits. Who do you think you are going to fool by saying things this stupid? If you are trying to dig yourself out of this, you failed miserably. You have to be a kike. You will do absolutely anything to avoid having to say "I was wrong".
So when are you going to lay down your expert observations and opinion concerning Shania Twain and her satanic performance at the Superbowl? You did admit that you thought she WAS in fact performing some sort of satanic ceremony, didn't you... Honesty, I could give two shits about Madonna, I just hate to see a person publically smeared and crucified for something that is so out of touch with reality. It's sickening to behold, and demonstrates how and why this country is so fucked up. What is especially disturbing is the fact that those doing the accusing think of themselves as spiritually superior and "holy", yet they are closer to being satanic than any "witch", where most "witches" are Wiccan whose creed is "Do no harm". Oh right, Madonna studies the Kabbalah, so she must be "worshipping Lucifer". It's a path to God you fucking moron. In the past, people such as you would have been using similar linguistic and theological gymnastics to justify the witch hunts and Inquistions, because it was the popular thing to do and a way to get the "right" people to like you and admire you. Myself, I could give a shit if I'm popular here or not. .
That's fine. You are welcome to your opinion and to give voice to it. I guess this is one where we will have to agree, amicably I hope, that we disagree on the point. To myself, and a lot of other observers who are not unintelligent, the performance definitely had the overtones and appearances of an occult ritual. I am willing, only, to go so far as to grant that it may simply have been theatrics, but those theatrics were born of her study of and dabbling in the occult, and that she has done so is a matter of public record. While I have read a little on the subject in no way would I put myself forth as an expert on the Kaballah. However, it is Jewish Mysticism and like some other mystic orders it has its hidden elements. Whatever Madonna was dramatizing is something with which she is familiar and it was presented as a carefully choreographed allegory which was filled with occult symbolism. Was it just for drama? Or was there a deeper meaning? I'm inclined to "B" but I am far from being able to prove it, but that is my sense of it for a lot of reasons I don't care to take a lot of time outlining.
That's fine. You are welcome to your opinion and to give voice to it. I guess this is one where we will have to agree, amicably I hope, that we disagree on the point. To myself, and a lot of other observers who are not unintelligent, the performance definitely had the overtones and appearances of an occult ritual. I am willing, only, to go so far as to grant that it may simply have been theatrics, but those theatrics were born of her study of and dabbling in the occult, and that she has done so is a matter of public record. While I have read a little on the subject in no way would I put myself forth as an expert on the Kaballah. However, it is Jewish Mysticism and like some other mystic orders it has its hidden elements. Whatever Madonna was dramatizing is something with which she is familiar and it was presented as a carefully choreographed allegory which was filled with occult symbolism. Was it just for drama? Or was there a deeper meaning? I'm inclined to "B" but I am far from being able to prove it, but that is my sense of it for a lot of reasons I don't care to take a lot of time outlining.01 Great post and response O_I.
I'm sure kissing OI's ass will make you popular with some people.
I'm sure kissing OI's ass will make you popular with some people. Are you ok? Have you had a physical check up lately?
You remind me a bit of palo verde who would grace the pages of LP with her favorite line, "great post", most of time in response to the ones which were praising GW Bush or some other neocon tripe.
You remind me a bit of palo verde who would grace the pages of LP with her favorite line, "great post", most of time in response to the ones which were praising GW Bush or some other neocon tripe. Wow. Are you comparing Original_Intent to GW Bush? IMO I don't see the similarities.
At the risk of offending FL this is simply getting bizarre. The thread began with the suggestion/assertion which stated that Madonna's performance was filled with occult/satanic references. The author drew a set of conclusions with which one might agree or disagree and threw in a few unsupported assertions that were not backed by references. This is all well and good and is fodder for discussion and analysis. However, for whatever reason a couple of people appear to have, for whatever reason, reacted almost as though it were a personal attack against them for questioning their deity, Madonna. From there it has spiraled down to personal attacks and references to some of the more "excitable" elements of Fundamentalist Protestantism which were not part of the Superbowl Halftime Spectacle. Now what that has to do with Madonna or the occult references used in her performance eludes me. It is little more than a strawman and a diversion. So, because I dare to support a point of view a couple of people disagree with, and share some of my reasoning, I have somehow become a purveyor of the evil doctrine of logic. Or is because I use logic that I am somehow "putting on airs" for daring to try to use sound reasoning? This is rapidly begin to take the shape of another appendix for "Alice Through The Looking Glass".
Madonna's performance WAS filled with occult/satanic references. No one can dispute this. What is in dispute is whether this was the underlying reason for her Superbowl performance. There is really no way to know for sure unless someone can ask Madonna this question and why she chose such a controversial subject. Perhaps FormerLurker can find this out as he seems "close" to her.
Point out ONE. I'm STILL waiting. I hear crickets.
Point out ONE. I'm STILL waiting. I hear crickets. It's been addressed. I'm not going to reinvent the wheel. You may not like the way that it has been addressed but I guess that is just a burden I'll have to bear.
With lies. You were proven wrong in your "analysis" and have yet to admit it. Now, can you find a single ONE THING which indicates Madonna performed a "Black Mass" (which TwentyTwelve obviously has no concept of), or a "satanic ritual"? Can you find one obviously evil thing at ALL, even any innocent "occult" symbolism that you can clearly identify?
#387. To: FormerLurker, TwentyTwelve, wudidiz (#383)
Here is another interesting reading from Vigilant Citizen: When I learned that Madonna – aka the Grand Priestess of the music industry – would be performing at the Superbowl halftime show, I thought: “This should be interesting”. And it was. While most were amazed by a woman in her fifties dancing around with LMFAO and others were annoyed at her lip-syncing, I was interested with something else: the flurry of symbolism flashed to billions of viewers worldwide. While most considered Madonna’s performance as an entertaining interlude to the most important football game of the year, those blessed with symbol-literacy will probably agree with the following statement: Madonna’s halftime show was a big celebration of the Illuminati industry and of its Grand Priestess, Madonna. A week before the Superbowl, Madonna described on Anderson Cooper the spiritual importance she attributed to her halftime show: “The Superbowl is kind of like the Holy of Holies in America. I’ll come at halfway of the “church experience” and I’m gonna have to deliver a sermon. It’ll have to be very impactful.” It is rather appropriate that this Kaballah-intiate referred to the Superbowl as the “Holy of Holies” as it was the name of the most sacred place in Solomon’s Temple. No one was ever permitted to enter the Holy of Holies but the High Priest. This privilege was only granted on the Day of Atonement, to offer the blood of sacrifice and incense before the mercy seat. Madonna’s analogy was therefore telling of the mindset behind her performance. Let’s look at the main parts of her show. Madonna entrance is an elaborate procession fit for a High Priestess or even a goddess. Pushed by hundreds of Roman soldiers and welcomed by hundreds of women, Madonna's glorious entrance is a reflection of her status in the entertainment world. Her first performance was highly influenced by ancient Egypt-Sumeria-Babylon and Madonna’s costume recalls an ancient Babylonian goddess. The decor of Madonna's first performance combines elements from ancient Egypt, Sumeria and Babylon. Madonna herself is dressed in a way that highly resembles an Ancient Sumerian/Babylonian goddess, Inanna-Ishtar. Ishtar with her foot on a roaring lion and wearing a distinctive headdress resembling Madonna's horned crown. Ishtar is often depicted with wings, a feature that is recalled on Madonna's "carriage". Ishtar was a powerful and assertive goddess whose areas of control and influence included warfare, love, sexuality, prosperity, fertility and prostitution. She sought the same existence as men, enjoying the glory of battle and seeking sexual experiences. Madonna’s portrayal as Ishtar is therefore quite interesting as one can argue that the pop singer has embodied, throughout her career, the same assertive yet highly sexual qualities of Ishtar, even achieving a state of power in the music industry that is usually reserved to men. On an esoteric level, Ishtar is associated with the planet Venus, known as the Morning Star or the Evening Star. The presence of two Sphinxes in front of Madonna greatly resembles the tarot card The Chariot. According to Manly P. Hall: "This card signifies the Exalted One who rides in the chariot of creation. The sphinxes drawing the chariot resent the secret and unknown power by which the victorious ruler is moved continuously through the various parts of his universe." So, in this mythologically-charged setting, Madonna performed Vogue. During the performance, covers of Vogue Magazine were displayed, a publication that is at the forefront of Illuminati symbolism in fashion (as seen in the series of articles Symbolic Pics of the Month). Vogue ends with a symbol that is consistent with the Egyptian-Babylonian theme of the performance, one that is also of highest importance in occult Secret Societies such as Freemasons, the Rosicrucians and the Illuminati: the Winged Sun-Disk. The song ends with the displaying of a Winged Sun-Disk. Egyptian mystics used the winged sun for ritualistic magic and invocations: “‘Emblematic of the element of air, this consists of a circle or solar-type disk enclosed by a pair of wings. In ritual magic it is suspended over the alter in an easterly direction and used when invoking the protection and co-operation of the sylphs.” The winged sun is still being used today by groups like the Freemasons, the Theosophists and the Rosicrucians. “The Winged Globe is pre-eminently a Rosicrucian symbol, although the Illuminati may lay claim to it, and it may be admitted that it is of Egyptian origin. The Winged Globe is the symbol of the perfected soul making its flight back to the source of its creation in the Elysian fields beyond.” The symbol of the winged-sun inside a Masonic lodge. The display of this symbol, although apparently trivial and aesthetic, emphasizes on the occult spiritual dimension underlying Madonna’s entire performance. // // ]]> Later in the show, Madonna performed her new single Give Me All Your Luvin’. The song features two new industry favorites: Nikki Minaj and M.I.A. In the song’s music video and during the Superbowl performance, these two female rappers are portrayed in a specific way: Instead of being presented as full-fledged artists contributing to Madonna’s song, they are portrayed as her “minions” who are cheering for the industry’s High Priestess. This “relationship” where Madonna is in power – and therefore the handler – is drenched in Mind Control symbolism, specifically Beta Programming, also know Sex Kitten Programming. In the video for Give me Your Luvin', Madonna, Nikki Minaj and M.I.A. are dressed as Marilyn Monroe, the ultimate prototype of Sex Kitten Programming. Another symbol associated with Sex Kitten programming is feline prints clothing and textiles. The entire half-time show was an animal-print extravaganza. Madonna closed the halftime show with one of her biggest hits: Like a Prayer. The video of this song was always controversial due to its mixing of religious themes with sexuality. As the song starts, the show takes on a very solemn and spiritual vibe as Madonna and Cee-Lo Green enter the stage to give the final sermon. Religious figures are usually dressed in white to represent purity and godliness. The two singers where dressed in black robes and black robes are usually used in…black masses. As the song begins, a huge eye pupil is displayed before the stage, hinting to the Illuminati-influence of this spiritual performance. Madonna’s halftime show ends in a dramatic yet very significant matter: At the end of her performance, the floor opens underneath Madonna's feet and she falls into oblivion. As Madonna is swept in what appears to be the “Underworld”, Madonna sings “I hear you call my name, And it feels like home”. This is another inversion of conventional religious symbolism as “home” should be in the heavens. In Madonna’s case, she obviously didn’t go in that direction. The show ends with a message no one can disagree with. The words "World Peace" appear on the stage, a PR-friendly slogan used by those pushing for a New World Order lead by a one world government. When taken individually, the symbols described above can be simply considered as “cool-looking” and most Superbowl viewers did not give them much attention. The packing all of these signs and symbols in one comprehensive 13 minute performance cannot however be dismissed as “random images”. Quite to the contrary, the combination of all of these symbols form a whole and define with great depth the underlying philosophy and Agenda of those in power – the Illuminati. Madonna’s embrace of the Illuminati symbolism discussed on this site coincides with her signing with Interscope Records, one of the main purveyors of Illuminati symbolism in the music industry. Her halftime show performance can therefore be considered as the “launching” of her three-album (and 40 million dollars) relationship with the prominent label. Madonna’s Superbowl performance has shown that, despite the fact that she is an industry icon and that she pioneered most of the themes modern pop stars still exploit, she still needs to fit the mold and to embrace the same symbolism rookie pop stars. Laced with profound imagery, Madonna’s halftime performance was a massive Illuminati ritual, one that was witnessed by billions of viewers. On this Superbowl “Day of Atonement”, Madonna, the High Priestess of the Illuminati industry, entered the Holy of Holies of America and delivered a 13 minutes sermon that was heard by all…but understood by few.
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#205. To: Cornhuskerkid, Bill D Berger, CadetD (#203)
She's been a proud jezebel for as long as I can remember.
#209. To: Original_Intent (#205)
Also PsyOps. Her performance had to have been scripted with the delivery of specific messages to particular audiences depending upon a person's level of knowledge and awareness.
#211. To: FormerLurker (#209)
Also PsyOps. Her performance had to have been scripted with the delivery of specific messages to particular audiences depending upon a person's level of knowledge and awareness.
Rely on authority - if it didn't come from an "approved" source it can't be true.
Anything which diverges from the mainstream is false.
Materialism is the only valid philosophy and viewpoint.
There is no spiritual dimension to life. We are just animate sacks of chemicals who only think we can think because that is what the chemicals tell us. There is no life beyond the existence of the material, the body, and the belief that you are a spiritual being is illogical because we can't measure it with one of our holy oscilloscopes. Never mind all of the empirical observational data that suggests very strongly that man is not just meat. (This is basically the "humanist/atheist" viewpoint stripped of all of its sophistry.)
All Religion is bunk, because mainstream science can't verify it (of course mainstream science is all about materialism which rejects the spiritual a priori. So it becomes a circular logic of "Catch 22").
#232. To: Original_Intent (#211)
As for "World Peace" the NWO is promoting "World Peace" from their perverted point of view. Of course if that means enslaving 99% of the population after killing off 85% of the population - well hey, "you can't make an omelet without breaking eggs".
#234. To: RickyJ, Original_Intent (#232)
It is like they are mocking us with the "world peace" message at the end knowing that they are about to start the most deadliest war the world has ever known.
#235. To: FormerLurker, RickyJ (#234)
WTF, how can you people see something sinister in a Superbowl performance which ends with the words "World Peace" spelled out in lights?
#236. To: Original_Intent (#235)
In a play rife with symbology and the overtones implied, or suggested, by the symbology the word "lights" stands out to my gimlet eye.
#237. To: FormerLurker (#236)
#240. To: Original_Intent (#237)
#245. To: FormerLurker (#240)
Oh and as far as your claim that you see the word "Lights" somewhere in the stadium
#248. To: Original_Intent (#245)
I did not make that assertion. You've misread my commentary somewhere.
In a play rife with symbology and the overtones implied, or suggested, by the symbology the word "lights" stands out to my gimlet eye.
#267. To: FormerLurker, RickyJ (#248)
I did not make that assertion. You've misread my commentary somewhere.
(My comment: This was actually Post 235 which was in response to Post 234) In a play rife with symbology and the overtones implied, or suggested, by the symbology the word "lights" stands out to my gimlet eye.
#270. To: Original_Intent (#267)
And in context my use of the word "lights" in 235 is in direct response to your use of the word in 234 i.e., the lights at the end of her number.
#276. To: FormerLurker, TwentyTwelve (#270)
So to get to the point, you now find the word lights to be a satanic word, right?
#285. To: Original_Intent (#276)
(Edited)
#286. To: PSUSA2 (#285)
Charmin Basic Bath Tissue Only $0.15 a Roll at Staples!
#300. To: Original_Intent, ALL (#286)
(Edited)
#308. To: FormerLurker (#300)
Honesty, I could give two shits about Madonna, I just hate to see a person publically smeared and crucified for something that is so out of touch with reality.
#313. To: Original_Intent, FormerLurker (#308)
Honesty, I could give two shits about Madonna, I just hate to see a person publically smeared and crucified for something that is so out of touch with reality.
#316. To: TwentyTwelve (#313)
Great post and response O_I.
#327. To: FormerLurker (#316)
Great post and response O_I.
#328. To: TwentyTwelve (#327)
Are you ok? Have you had a physical check up lately?
#333. To: FormerLurker, Original_Intent (#328)
Are you ok? Have you had a physical check up lately?
#343. To: TwentyTwelve, FormerLurker (#333)
#350. To: Original_Intent, FormerLurker (#343)
The thread began with the suggestion/assertion which stated that Madonna's performance was filled with occult/satanic references.
#370. To: TwentyTwelve (#350)
(Edited)
Madonna's performance WAS filled with occult/satanic references.
#376. To: FormerLurker (#370)
Madonna's performance WAS filled with occult/satanic references.
#383. To: Original_Intent, TwentyTwelve (#376)
It's been addressed.
Replies to Comment # 383. 
Vogue or Entrance of the Priestess
-Hope, Murry, “Practical Egyptian Magic”
-Swinburne, Clymer, “The Rosicrucians, Their Teachings”
// Give Me All Your Luvin’ or Madonna’s Sex Kittens
Like a Prayer or the Final Sermon
In Conclusion
End Trace Mode for Comment # 383.