Jack White was a legendary photo and film analyst who made magnificent and enduring contributions to the study of JFK, which I archived in three books with color-photo sections by him, namely: Assassination Science (1998), Murder in Dealey Plaza (2000), and The Great Zapruder Film Hoax (2003). He was my dear friend. He also contributed a color-photo section to The 9/11 Conspiracy (2007), where our last collaboration was on this series of studies for a new book on 9/11 that I was editing, which has not yet found a publisher. Here I want to publish his color-photo section and integrate it with the biographical sketch for Jack White at the Spartacus Educational site.
Jack D. White was born on January 17, 1927, in San Angelo, Texas. His parents, John Nathan White and Billie Lorena Dumas White, moved the family to Fort Worth shortly after his birth and he was raised and educated there. After graduation from Amon Carter Riverside High School in 1944, White worked briefly for the Fort Worth Press as a sports writer covering high school sports under legendary sports editor H. H. Pop Boone.
During the Second World War White enlisted in the U.S. Navy. After his discharge in 1946, White returned to Fort Worth to pursue his interest in journalism, art, and history. He graduated from Texas Christian University in 1949, with a B.A. in journalism and began an advertising career as copywriter and art director at Yates Advertising Agency in Fort Worth. In 1954, he joined the Witherspoon and Ridings Public Relations Agency in Fort Worth, which later became Witherspoon and Associates, at the time the largest advertising agency in town. White began as the firms first art director and during his twenty-seven years with the agency rose to vice-president, executive art director, personnel manager, and part owner. He specialized in design, type management, and photography and developed their in-house facilities for darkroom work, studio photography, and slide show presentations.
Although White had photographed the city since the 1950s, he only began collecting Fort Worth photographs seriously in 1972, when Witherspoon was planning the 100th anniversary of one of its clients, the Fort Worth National Bank. He was in charge of acquiring copies of historical prints of Fort Worth for the banks annual report, a historical booklet, and an exhibit for the bank lobby. After the anniversary event, he took care to preserve all the exhibit materials. During the next twenty years White reproduced other clients historical photographs and took hundreds of pictures to add to the collection.
Another of Whites areas of expertise and collecting interests is the assassination of President John F. Kennedy in Dallas, Texas, in 1963. He is nationally known as an expert on the assassination and served as a photographic consultant to the House Select Committee on Assassinations during the hearings. He was also a consultant on the Oliver Stone film, JFK.
As a result of his interest in the Kennedy assassination, White published two videotapes on his photographic studies of the assassination. He has developed a slide lecture, which he presents to classes and symposia on the JFK assassination and also contributes his research to professional journals.
White retired from Witherspoon and Associates in 1981, and formed his own company, Jack White Enterprises, which specialized in free-lance art and photography. In 1984, as business increased, he took on partners. The firms name changed to VJS Companies, and the company added new services, including typography and photostats. The firm closed for a brief period in 1991, following several setbacks, but reopened later in the year as Jack White Graphic Arts.
Following his retirement, White lived in the White Lake Hillsaddition in east Fort Worth with his wife the former Sue Benningfield. Their home, built in 1970, was designed to focus on a view of the downtown Fort Worth skyline. Jack D. White died, aged 85, on 18th June, 2012.
This article lost all credibility when it went with the "no plane" propaganda" put out by the govt. Thierry Meyssan has admitted he was paid by the US govt to publish the no plane garbage. To make it appear legal, the govt paid for the publication and purchased $3 million worth of his bogus propaganda 9/11: The Big Lie books. This is why Rumsfeld conveniently accidentally said something about a missile hitting the Pentagon then quickly corrected himself. This disinformation has been used by the govt to help discredit any investigation into obvious discrepancies with the govt's 9/11 version and findings.
Again, as I said on the other thread, what did you expect that plane to do, bounce off the WTC South Tower as if it were made of rubber, or shatter as if it were made of glass?
It was a large high velocity mass of about 250,000 pounds, hitting a mesh of relatively thin steel columns spaced far enough apart where the majority of the plane encountered no exterior resistance upon penetration.
It carried a huge amount of momentum and exerted a massive amount of force upon the exterior columns of the WTC tower. That, and it all happened in a split second.
So what you show in your collection of screen shots is NOT evidence that there was no plane there.
Besides, it was captured on MANY different cameras, both from private individuals AND news agencies. So unless all of the news crews, camera crews, production staff, and witnesses on the scene, including the survivors, were in on this huge conspiracy to produce fraudulent video, air it in real time in relation to real world events, and plotted to kill 3000 Americans, including themselves in some cases, all to benefit PNAC and the news moguls, well, I think fairies wearing boots kicking down the towers have about as much of a chance as your story of being true.
It was a large high velocity mass of about 250,000 pounds, hitting a mesh of relatively thin steel columns spaced far enough apart where the majority of the plane encountered no exterior resistance upon penetration.
It carried a huge amount of momentum and exerted a massive amount of force upon the exterior columns of the WTC tower. That, and it all happened in a split second.
Mass X velocity = Kinetic Energy /time = Power
With the plane going 500 mph, or whatever, the time element of the energy transfer to the building would have been a second or less, that's a lot of Power.
In regards to force, it's m * v = F, were m is mass in kilograms, v is velocity in meters per second, and F is force in newtons.
In terms of kinetic energy, it's 1/2m * v2 = E, where E is energy in joules.
From the following webpage, the amount of work done of an impact would be as follows;
Work-Energy Principle
The change in the kinetic energy of an object is equal to the net work done on the object.
This fact is referred to as the Work-Energy Principle and is often a very useful tool in mechanics problem solving. It is derivable from conservation of energy and the application of the relationships for work and energy, so it is not independent of the conservation laws. It is in fact a specific application of conservation of energy. However, there are so many mechanical problems which are solved efficiently by applying this principle that it merits separate attention as a working principle. For a straight-line collision, the net work done is equal to the average force of impact times the distance traveled during the impact.
Average impact force x distance traveled = change in kinetic energy
If a moving object is stopped by a collision, extending the stopping distance will reduce the average impact force.
With the weight of the aircraft, combined with its velocity, there would be a huge amount of kinetic energy available to do work. Power is actually amount of work done per second. Since work is determined by the initial kinetic energy - the final kinetic energy, the difference between the two objects velocity is the available power to destroy the stationary object, as well as the moving object.
What comes into play is momentum, and the concept of conservation of momentum. And then there are the theories of collisions, which include elastic and inelastic collisions.
It is those areas which explain scientifically how a large fast moving object will interact with a stationary object.
I don't know if it's worth posting right now, but perhaps I'll put something together next week.
I guess you're right. They'll believe what they want to believe, no matter what.
That may be true, but to not try to inform them when you know the truth would be kind of like aiding and abetting the enemy by not speaking out about their crimes.
That may be true, but to not try to inform them when you know the truth would be kind of like aiding and abetting the enemy by not speaking out about their crimes.
You don't fucking say?
LOL
I sure wish people like you would live by their words.