THE SEXUAL DECADENCE OF WEIMAR GERMANY, by Lasha Darkmoon Posted on September 25, 2013 by Montecristo
Published yesterday on Veterans Today
“The decay of moral values in all areas of life—the period of deepest German degradation—coincided exactly with the height of Jewish power in Germany.” — Dr Friederich Karl Wiehe, Germany and the Jewish Question. [1]
Otto Dix, Metropolis (1928). Berlin in the heyday of the Weimar Republic: a hedonistic hellpit of sexual depravity. Otto Dix, Metropolis (1928). Berlin in the heyday of the Weimar Republic: a hedonistic hellpit of sexual depravity.
No account of the Jewish Question in Germany can be complete without some mention of the tidal wave of sexual immorality that was to engulf the country during the period of the Weimar Republic (1919-1933) following World War One. This also happened to be the apogee of Jewish power in Germany. Every single sphere of major influence had now fallen under Jewish control.
1. THE CULTURAL TAKEOVER OF GERMANY BY THE JEWS
Dr Karl Wiehe, in his Germany and the Jewish Question, is painstaking in the details he provides:
Well before 1933 the Jews had taken possession of the film industry even more thoroughly than of the theater. That was understandable, because the earnings in the film industry overshadow the earnings of any other artistic activity….
The biggest step in the direction of the decline of the German cultural life [however] was taken in the field of the light entertainment genre. Here—in the genre of musical comedy and above all in revue and burlesque—frivolity and lasciviousness were to rear their ugly heads. So much so that during these years Berlin was quite correctly considered the most immoral city in the world.
It was Jews who introduced this pornographic “art form” to Germany, a debased genre completely unknown before the Great War, and so it is the Jews who can be held responsible for the general decline in morals.
The Jewish sexologists Ivan Bloch and Magnus Hirschfeld became the representatives of “sex research” camouflaged as science—a bogus science that was merely an excuse for pornography and propaganda designed to destroy the institute of marriage and the sanctity of the family. [2]
Wiehe provides the following useful facts and statistics:
In 1931, over 60 percent of German films were produced by Jews and 82 percent of the film scripts were written by Jewish writers, though Jews made up less than 1 percent of the German population (0.9o%). A quick look at the names of directors, producers, stage managers, actors, script writers and critics, “revealed everywhere an overwhelming preponderance of Jews.”
Alexander Szekely, German brothel in Ghent Alexander Szekely, German brothel in Ghent
A cursory survey of the film titles, Wiehe tells us, shows us that the Jews had only one thing on the brain: sex. Here are some typical titles: “Moral und Sinnlichkeit” (Morals and Sensuality); “Was kostet Liebe?” (What is the Price of Love); “Wenn ein Weib den Weg verliert” (When a Woman loses her Way); “Prostitution” (Prostitution); “Sündige Mutter” (Sinful Mama); “Das Buch des Lasters” (The Book of Vices).
“The sensational titles correspond to the sleazy contents,” Wiehe complains. “All wallow in filth and display with cynical frankness the vilest scenes of sexual perversion.” [3] CONTINUES HERE http://www.darkmoon.me/2013/the-sexual-decadence-of-weimar-germany-by-lasha-darkmoon/
Poster Comment:
I found this posted at the great website http://iamthewitness.com