History must always be remembered, except when it shouldn’t. No one will ever claim that adage, but many people adhere to it, one way or another. Pity the person with a history that disturbs a popular narrative. In the blink of an eye, “never forget” can become “never remind.”
Last week, the media went into full-on “never forget” mode after Donald Trump’s “total and complete shutdown of Muslims entering the United States” proposal. Damn near every mainstream media outlet immediately invoked World War II Japanese-American internment as an example of how U.S. war hysteria inevitably leads to racism.
The fuss over Trump’s comments will eventually ebb. Of more interest to me is how the episode proved, once again, that while the story of the 71,000 Japanese- Americans who were relocated, and the 35,000 Japanese aliens who were interned (in a previous piece, I explained the difference), is classified under “never forget,” the story of the approximately 14,000 German- and Italian-Americans and aliens interned during the war is officially filed under “never remind.”
Meet Arthur Jacobs. He’s the poster boy for “doesn’t fit the narrative.” Not coincidentally, he’s also the poster boy for getting your nads kicked by your own government for eighty years just because you’re of German descent. You know what he isn’t the poster boy for? “White privilege.” Jacobs’ story personifies why the ordeal of interned German-Americans and aliens during World War II was sometimes worse than what the Japanese internees went through.
Arthur Jacobs’ parents moved to the U.S. from Germany in the 1920s. They were pretty much your standard German Christian immigrants, looking to start a new life in New York. They became legal residents, and had two sons. Arthur was born in Brooklyn in 1933. His parents mandated that English be spoken around the house, so Arthur grew up knowing only scant German. He was a typical Brooklyn kid: school, sports, and scrap-metal drives when the war broke out. But the FDR administration had other plans.
“Just like in that American-administered dungeon in occupied Germany when he was twelve, Arthur Jacobs is once again called a Nazi simply for being of German descent.” After Pearl Harbor, all “enemy aliens” (noncitizens from Axis countries) had to register with their local “enemy alien hearing board.” Jacobs’ father was interviewed by the board, and it was unanimously determined that he posed no threat, and that internment was not necessary. The Jacobs family felt that they’d dodged a bullet, but, in fact, they were just a bit farther downrange than they thought. What the Jacobs family, and thousands of other German-American families, didn’t know was that the Roosevelt administration had created a secret, shadowy entity within the State Department called the “Special War Problems Division” (SWPD), which was charged with rounding up aliens and their families for use as hostages should any need arise to bargain for Americans captured by Axis forces. Some aliens already cleared by the enemy aliens board were to be interned anyway, because the goal of the SWPD wasn’t national security, but to collect potential pawns.
Art and his family were sent to a temporary internment center at Ellis Island (pause for irony), and then they were sent by train to an internment camp in Crystal City, Tex. (the “Spinach Capital of the World,” complete with a giant statue of Popeye in the city center). Having traded the Statue of Liberty’s benevolent gaze for Popeye’s threatening fists, the Jacobs family settled in at the Crystal City camp, which was roughly divided between German and Japanese internees. And while the Japanese inmates would eventually be freed, for some of the German inmates, the worst was yet to come.
After the war was over, and the need for “hostage exchanges” had long passed, infamous buck-stopper Harry Truman decided, “To hell with it, let’s send ’em to Germany anyway.” And with that, German internees, including the Jacobs family, were loaded onto a ship and sent “home.” For Art’s parents, this was repatriation. But for 12-year-old Art and his brother, this was expatriation. They were U.S. citizens being sent to the country of their parents’ birth. And by Democrats, mind you—the same party that now claims that the principle of “birthright citizenship” is sacred (at least when it comes to Mexicans).
On a worn-out ship crossing the Atlantic, the Jacobs family tried to look on the bright side. Sure, they were being sent to war-ravaged Germany, which, during the “Morgenthau Winter” of ’45/’46, was experiencing food shortages, disease, and starvation, but at least the U.S. government promised they’d be free. Needless to say, the government lied; “Give ’em Hell Harry” was about to do just that. Upon arriving in U.S.-administered Germany, the family was split up and Arthur was thrown into a dungeon. No, I’m not being overdramatic. The entire family was imprisoned (separately), and Art got the worst of it, landing in a dank cell in a 500-year-old fortress called Hohenasperg, which was being used as a prison. The U.S. guards routinely harangued the kid from Brooklyn as a “Nazi,” repeatedly threatening execution by hanging should he disobey the rules. Remember—Jacobs had never been accused of any crime beyond having German parents. Oh, and he was twelve.
Eventually, the U.S. dumped Art and his brother on the street (the parents remained imprisoned). All throughout winter, Art struggled to find food. In his self-published autobiography, he recounts the temptation to give up, to just lie down in the snow and die. But eventually his fortunes changed when a group of U.S. servicemen noticed this kid with a Brooklyn accent begging for work and food. They found him employment (digging graves for less fortunate Germans), and, by the end of 1947, the wife of an Army officer arranged for the Jacobs boys to go back to the U.S. to live with a foster family in Kansas. Art finished school and enlisted, the fond memories of the soldiers who saved him outweighing the fact that his own government had essentially tried to kill him. After serving nearly twenty-five years in the Air Force and retiring with the rank of major, he settled into a teaching position at ASU. Little did he know, the nad-kicking was not over yet.
A monument dedicated in 1985 at the site of the Crystal City camp left out any mention of the German internees. In 1988, Congress passed the “Civil Liberties Act,” apportioning $1.6 billion in reparations to Japanese internees. A formal apology was also issued. But the German and Italian internees were left out completely. Jacobs brought suit, claiming the law was discriminatory (his attorney in the case was Greta Van Susteren). Every major Japanese-American organization in the country opposed Jacobs’ suit; they wanted sole proprietorship of the victimization. Jacobs was being opposed by some of the very people he had gotten to know in the camp as children. The U.S. District Court, District of Columbia, ruled against Jacobs, claiming that while the internment and relocation of Japanese-Americans was unconstitutional, the internment of German-American children was just dandy. Among the three judges who struck down Jacobs’ plea to have his ordeal acknowledged? Ruth Bader Ginsburg, of course.
And now every time the media decides to trot out the “look how racist we were during WWII” meme, Jacobs, in his 80s and residing in Arizona, must again be reminded that his story doesn’t fit the narrative. After 9/11, when ace L.A. Times scribe Daren Briscoe penned an “authoritative” look at how civil liberties suffer in the U.S. during wartime, he left out German-American internment and expatriation. In a March 2002 email to me, Briscoe explained why:
The internment of 110,000 Japanese is the biggest, best-known example of WWII infringements upon civil liberties. Congress issued a formal apology, reparations have been paid. Such an example is familiar to a greater number of readers, and conveys the same general points, than the lesser-known detention of far fewer Germans and Italians. There is great parallel between the detention of Japanese after the horrific bombing of Pearl Harbor and the detention of Middle Easterners after the horrific bombing [sic] of the World Trade Center.
Get the logic? If Congress doesn’t acknowledge it, it’s okay to act like it never happened. No wonder Briscoe eventually left journalism to join the Obama administration as spokesman for the Department of Education; he’s the perfect misinformation-spewing functionary. And as for his claim that German internment can be ignored because “far fewer” people were imprisoned, guess how many “Middle Easterners” were detained after 9/11? By the L.A. Times’ own count, 762. Yet the paper made a huge deal about that number. 762 Muslims vs. 14,000 Germans. “Never forget” vs. “never remind.” But at least Briscoe was willing to (privately) admit that German internment happened. Renowned leftist lunatic Robert Scheer wrote in the Times that not only didn’t the feds “round up” anyone from the German- American community, but they should have, because German-Americans were “Hitler’s extensive fifth column.”
Just like in that American-administered dungeon in occupied Germany when he was twelve, Arthur Jacobs is once again called a Nazi simply for being of German descent. Nothing changes.
I spoke with a filmmaker named Britta Meleson-Bordeaux. She’s a postproduction phenom who’s worked on the restoration of such classic films as Orson Welles’ Touch of Evil, George Lucas’ American Graffiti, and the Universal Studios Alfred Hitchcock collection. Yet even with her pedigree, she’s been unable to raise much interest in bringing the story of Arthur Jacobs to the screen. “People are hesitant to invest in a documentary about a story they’ve never heard before. Or worse, one they’ve been told never happened. If you come at people with something that challenges their beliefs, they don’t know how to react.”
She’s right. The crowdfunding page for her Arthur Jacobs film is only 3% funded, after almost two months. It would be nice to think that Arthur Jacobs will live to see his story acknowledged in some significant way. But as we saw in the aftermath of Trump’s comments, the media parrots have their own story, and they’re stickin’ to it, facts be damned.
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