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Israel/Zionism See other Israel/Zionism Articles Title: Unfortunate Son: The Plight of John Fogerty in The Jewish Dominated Music Industry Introduction by author In connection with all the debate which took place recently at Renegade Broadcasting on the subject of the Jewish-dominated music industry I have decided to publish what is probably one of my oldest articles ever (never published before anywhere by the way). First of all I have to apologize for the (relative) length of it, and for some of the redundancies that might show up, but taking into account that when I first wrote this article I didn’t even know where I was going to publish it, I suppose apologies this time are unnecessary. Regardless I’m assuming there might be some Creedence Clearwater Revival fans among the Renegade readership, so I guess most of them will appreciate the effort anyway. The story which I’m presenting here has all the elements of any story concerning Jews and their shenanigans: Scamming the unsuspecting Goyim, dividing and conquering by getting brothers at loggerheads with each other, using “legal” means to steal from others (particularly from White people), Jewish-styled vendetta situations, etc, etc. So much so that -if one reads between the lines- he/she will realize that this is basically an archetypal story, though it is as real as it can be. It is sadly ironic that at present John Fogerty is married to a certain Julie Kramer. To make it even more ironic (but not so surprising) Fogerty was recently “recruited” by some Adam Levine to fulfill the role of The Voice adviser a couple of years ago or so. What can I add to that? Some White folks will never learn! The Article Going back to my days in Old Albion (it feels already like a lifetime ago) I read an article in a local weekly magazine, which left an imprint on me for some reason. It was an interview with John Fogerty, former leader of that American classic rock band known as Creedence Clearwater Revival. It was by the time he had just released his fifth solo album entitled Blue Moon Swamp. By that time, being a young guy myself, I used to read anything that fell into my hands about old rock acts from the 1960s-70s and beyond, but reading this particular article was probably the first time I was exposed to the truth on what the music industry is really all about in its crudest form. I must admit that nowadays I could not care less about any type of ‘rock’n’roll star’ whatsoever (for a number of reasons which are neither here nor there – unless these “rock stars” are connected to Counter-cultural intelligence) even if some of these people meant something to me in my youth at some point. However, I think this particular story needs some attention even if it is only for the sake of “entertainment”. Most people here will be able to get to obvious conclusions -without much of an effort- when taking into account the ethnic backgrounds, character and personalities of the people involved in such a story. For all the too-young-to-know folks out there who might be reading this article, Creedence Clearwater Revival was one of the most popular American rock bands from the late 1960s – early 1970s. So much so that after the Beatles’ split-up they became one of the biggest selling acts in the entire world (this side of Led Zeppelin of course) with songs like ‘Proud Mary’, ‘Suzie-Q’, ‘Fortunate Son’, ‘Who’ll Stop The Rain’, ‘Bad Moon Rising’, ‘Up Around The Bend’, ‘Down On The Corner’, ‘Green River’ and a long strain of other anthems which have been celebrated and featured predominantly in movies (especially portraying this particular period in history) and also many TV adverts. These songs have been played on the radio ad nauseam for decades (to the point of me ending up hating them) and have been covered by uncountable other artists ever since. CCR’s musical blend was a cross-over of Southern swampish boogie and simple old-time rock’n’roll with tinges of pop, more or less what we would consider ‘Americana’ sound these days. Even when trying to look back in retrospect their music sounds as timeless and fresh today as it did back in its heyday. All this was accomplished by the genius of John Fogerty, who aside from being singer and lead guitarist for the band, was its main songwriter. His superb talent to craft catchy rock songs of the first calibre took the band to the stratosphere of popular stardom. But there was a sinister dark shadow hovering over this rock’n’roll star’s wet dream; Creedence Clearwater Revival (as many other artists before and after) had a Jewish manager… and what a (((leech))) of a Manager this one was. Enters Saul Zaentz Saul Zaentz (1921-2014) was an American film producer and former record company executive. Some of his most famous film productions include One Flew Over The Cuckoo’s Nest (1975), Amadeus (1984) and The English Patient (1996), among others. So we are talking here about a very high-profile Jew within the Hollywood milieu. Zaentz was born on February 28, 1921, to immigrant Jewish parents in Passaic, New Jersey. According to an IMDb Mini Biography by Gordon Whiting: Saul Zaentz learned gambling as a youth in Passaic, New Jersey, playing a card game called briscola. Later, in his twenties, he earned a full-time living as a gambler. [sic]’ After serving in the US Military during WWII (whatever he was doing there is anyone’s guess) Zaentz started getting involved in the music industry. One of his most important assignments was being part of the jazz-oriented record label Fantasy Records as a salesman and manager. According to Zaentz’s wikipedia article: In 1967 Zaentz and other partners purchased the label from founders Max and Sol Weiss. The partners signed roots-rock group Creedence Clearwater Revival (CCR), fronted by former Fantasy warehouseman John Fogerty.’ The Nightmare Begins Soon after signing for Fantasy Records, Creedence released their eponymous album which featured their classic ‘Suzie-Q’. According to a John Fogerty’s interview by Ross Fortune in 1997 (the one mentioned at the beginning of the article): … At our record label, Fantasy, we were treated like a doormat. Jazz was more important to them, we were just some schmucks that made rock’n’roll… but we were selling 99 point something per cent of their records, and we’re talking about hundreds of millions of dollars, so it really made me angry.’ On top of that the band’s contract with the label, which Fogerty himself was held to when the band split-up, was something more than just “surrealistic” to put it bluntly. In Fogerty’s own words taken from the same interview: I owed them 36 new masters for each year. In other words, three albums a year if you put 12 tracks on an album – which most people didn’t – and any of the quotas that weren’t fulfilled in any calendar year slid over into the next year. In 1969, our most prolific year, we put out three albums, but even that wasn’t 36 masters…’ By 1972, at the time of Fogerty’s first solo release Blue Ridge Rangers he claims to have owed them (Fantasy Records) more than a dozen albums. It was undo-able, it was just unthinkable. I started out with all good intentions, took a few steps and realised, man, this is too heavy for me to carry…’ What came after that was what The Guardian (online) described in an article a few years ago as “The Saddest Story In Rock”. As a consequence of all these tribulations our friend John Fogerty became practically a recluse for many years, a complete broken man involved in a never-ending feud of epic proportions with his former Jewish manager Saul Zaentz,who was now in total control of Fantasy Records. CCR with Zaentz (center) circa 1969: “First I’ll fleece you Goyim, then I’ll try to “legally” steal all your intellectual property” sort of thinking I guess. The Nightmare Continues All the money that Fantasy had paid us – our life savings basically – was put into a financial plan that we were steered into, and there came a time when I wanted to leave the plan because it was looking shadier and shadier to me. It was looking unethical and immoral, but it was also starting to look illegal, and I was told by my accountant, ‘You’ll end up having to pay 140 per cent in taxes’ – in other words, 40 per cent more than I earned or had! So I finally said, ‘You’ve got to get me out of this and retrieve my money.’ … Well, as soon as that message was sent to the bank – Boom! Bomp! … The whole thing folded and disappeared, and we lost all our money.’...... Poster Comment: Damn, I guess this means Zaentz Hardware in Hackensack is jew-owned or -founded.... If nothing else, CCR was a sort of nostalgia trip to country styles at a time when decadence was taking over. Still I find their lyrics faddishly obscure and racially suspicious. How could JF ever have agreed to 36 cuts a year? Course it's less than one a week. Post Comment Private Reply Ignore Thread Top • Page Up • Full Thread • Page Down • Bottom/Latest Begin Trace Mode for Comment # 1.
#1. To: NeoconsNailed (#0)
Racially suspicious? Are you a closet liberal? It seems to me you are trying to pick fly shit from the sugar bowl. Your own comment on this story is what I find "suspicious"
#2. To: john stadtmiller (#1)
Oh, yeah, I'm a closet liberal! CAUGHT! How did you know I'm the main agitator in my area for ADL, NAACP, La Raza and ACLJew? Im drinking Thunderbird right now and rocking out to the hot sounds of P. Diddy.
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