NOTE: The source of the information contained in the following post comes from Dave McGowan’s book “Inside The LC: The Strange but Mostly True Story of Laurel Canyon and the Birth of the Hippie Generation.” I have surveyed the key points as related to the iconic counter culture rock stars that emerged out of Los Angeles’ Laurel Canyon. Now that I am seven years deep into my awakening, I’ve finally come to appreciate what a key researcher Dave McGowan was. He died in 2015 at age 55 of “fast-going pancreatic cancer.”
“The Pedophocracy” is a term coined by McGowan. It is the title of his book on the subject of pedophilia as an elite characteristic and one of the main tools of control of the visible ruling kakistocacy, by the Crime Syndicate or Cabal. He dug into the vast deceptions of 9/11 as well.
Most of McGowan’s work and interviews can still be found on YouTube and elsewhere, and he has several books. I am in the process of picking through them. I previously wrote a post called “The Use of Cultists and Serial Killers in Death Squad Hits” that’s based in part on McGowan’s book “Programmed to Kill: The Politics of Serial Murder.”
McGowan interview on Laurel Canyon and the Hippie scene. Charlie Manson hung out with the Laurel Canyon cadre. My view on Charlie Manson, Sherlock Says: Charlie Manson Story Doesn’t Add Up.
Laurel Canyon: The Fonte of the ‘Hippie/Flower Child’ Movement
The followed is a condensed, abridged version of key takeaways from McGowan’s book “Inside the LC”:
In a geographically and socially isolated community known as Laurel Canyon – a heavily wooded, rustic, serene, yet vaguely ominous slice of LA nestled in the hills that separate the Los Angeles basin from the San Fernando Valley – musicians, singers and songwriters suddenly begin to gather as though summoned there by some unseen Pied Piper. Within months, the “hippie/flower child” movement will be given birth there, along with the new style of music that will provide the soundtrack for the tumultuous second half of the 1960s.
It was the major record labels, not upstart independents, that signed Laurel Canyon’s newly-formed bands. It was the major labels that provided them with instruments and amplifiers. It was the major labels that provided them with studio time and session musicians. The bands themselves were initially lacking in skilled musicians and were very manufactured. It was the major labels that recorded, mixed and arranged their albums. It was the major labels that released and then heavily promoted those albums. And so as not to be left out, the corporate titans of all three branches of the mainstream media – print, radio and television – did their part to help out the titans of the record industry. Thus, we see once more that such movements were not organic.
Despite being counter-culture “threats, these band’s members were never busted (for long) on drug charges. Nobody was ever drafted for the Vietnam war. The bands were largely indifferent to the anti-war movement. There were large numbers of strange deaths in this scene.
During the early years of its heyday, Laurel Canyon’s father figure is the rather eccentric personality known as Frank Zappa (1940- 1993). Though he and his various Mothers of Invention line-ups will never attain the commercial success of some of the other bands, Zappa will be a hugely influential figure among his contemporaries. Somehow at 25, Zappa ensconced himself in an abode dubbed the “Log Cabin” – which sat right in the heart of Laurel Canyon, at the crossroads of Laurel Canyon Boulevard and Lookout Mountain Avenue. Zappa will play host to virtually every musician who passes through the canyon in the mid- to late-1960s. The “Log Cabin” was a cavernous five-level home that featured a 2,000+ square-foot living room with three massive chandeliers and an enormous floor-to-ceiling stone fireplace.......
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Poster Comment:
Like today and every era since, there's so much that just seems to happen on its own but is actually the work of systematic subversives and destroyers. All the puppet masters have gefiltefish breath in common.