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Title: New Pentagon Video Heavily Processed, A letter to Prof Jones
Source:
ARG
URL Source: http://valis.gnn.tv/B15420
Published: May 20, 2006
Author: Name withheld, pending permission
Post Date: 2006-05-20 01:31:26 by valis
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Keywords: Pentagon video, analysis, processing
Views: 134
Comments: 9
Dear Prof. Jones, I am a researcher in Royal Holloway, University of London, just finishing a PhD in the Machine Vision of CCTV cameras. I’m not an expert in CCTV, but I do have a lot of experience. I took a look at the recently released Pentagon video and noticed a few unusual aspects of how it was produced. Firstly, I’m talking about the totally new video, rather than the older one of which 5 frames were already in the public domain. I obtained this video from Google Video download through a link from Judicial http://Watch.org. A spokes person interviewed on the Alex Jones radio show has said that the video was provided to him on a CD-ROM, and I am assuming that Judicial Watch did not process the video in any way before uploading. I am also assuming that Google Video does not process uploaded videos in the unusual way I am going to describe. I am not going to talk about the content of the video at all, just its structure and how it was processed. FEATURES OF THE VIDEO The video is constructed of 5 756 frames of pixel size 480 by 360. Oddly, every 32 frames are nearly identical. I say nearly, because while each group of 32 frames certainly contain no movement and were certainly derived from the same original CCTV output frame, by running the video through frame differencing you can easily detect small jpegging artifacts and noise within the 32 frame groups. Further, the video occasionally shifts up or down by a tiny amount, in a seeming random fashion. Finally, there is a faded black border around the frames. These are all clues to the probable history of this video, and how it was constructed. PROBABLE ORIGIN Most CCTV cameras in the US produce a very similar output to regular TV video format, and despite advances in digital technology, most are still analog. The camera position here seems to be in a non-critical role at the entrance to a staff car park. This, coupled with the faded black boundary indicated that this video was probably produced by a regular NTSC Interlaced signal recorded onto an Analog medium such as a VHS cassette. This analog video would then have been digitised, processed, and released to Judicial Watch on the CD-ROM. NTSC is interlaced, meaning that alternate rows of pixels are refreshed at twice the quoted frame rate. So that, with a NTSC frame rate of just under 30 fps, old and even pixels rows are alternately refreshed at just under 60Hz. To save video tape, Analog cameras only record one frame every second or so, and that seems to be the case here. (Modern digital CCTV systems commonly record at a variable framerate, depending on activity in the scene. The fact that this did not happen here is further evidence that the system is an older Analog CCTV) When digitizing the video, you have the choice of deinterleaving the frames to produce a video of 60Hz, but with half the vertical resolution. One disadvantage of this is that because alternate frames are produced by pixel positions with a slight vertical offset, the digitized video will vibrate up and down in an annoying way. However I believe that this video was produced in this way because at irregular intervals, the video can be seen to shift up and down by approximately one pixel. The irregularity indicated that the video’s producers cherry-picked certain frames from either deinterlace output, and built them into one video. DIGITIZED, BACK TO ANALOG, AND DIGITIZED AGAIN? Finally, the Judicial Watch video is constructed of 179 original frames, each reproduced 32 times. The CCTV camera would have recorded frames to analog at a rate of 1Hz, but each frame only once. Why would the Judicial Watch video have frame multiples? Why would there be intraframe noise within these 32 frame groups? Digital video formats can have any desired frame rate. There is no need to have multiple frames, when the computer can simply display a particular frame for an arbitrary length of time. Analog cannot do this however. On VHS, if you want a frame to display on screen for 1 second it must be reproduced on tape a number of times. I propose that the original 179 CCTV output frames were digitized, deinterleaved, manipulated extensively, recombined into one video and then recorded back onto a VHS (or other analog format) cassette. This version was then digitized again and released to Judicial Watch. I do not know why they would do this, but it is my best explanation of the processing anomalies of this video. The important conclusion is that this video has a long history. I suggest that the Pentagon be asked to release the original, analog and unedited version of this video, along with the 84 other videos they hold. Yours sincerely, (Name withheld, pending permission) Dept Physics, Royal Holloway, University of London, United Kingdom
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#1. To: All, *ARG List* (#0)
...
"Debunking 'Caveman' conspiracy theories since 2002" FYI!!
basic stuff here, funny our MSM reporters missed it and really sloppy PSYOPs (your arrogance is showing) A big Thank You to whoever at: Dept Physics, Royal Holloway, University of London, United Kingdom
Guard against the impostures of pretended patriotism. – George Washington "If the president made us go to war with Iraq, why doesn't he go over there and fight the war?" Christian May [6th grader] Actually there is a bit on info here. The big smoke and mirror trick was the media virus called the "nose cone". I believe the whole "nose cone" meme has no basis outside the media talking heads. I have yet to find any official statement by any US official who actually proclaims the 'white' to be a "nose cone". This speaks to the ignorance of the talking heads claiming it is flight77, and our gullability for being led into suggestion. We are looking at the wrong object. This "nose cone" may in fact be a different part of the craft as the purplish area could be the front of the object. Detailed debate on the Scholars for 911 Truth forum has let us to a working hypothesis of a possible Boeing 737 dispayed on this video as one of two attacks objects @ the pentagon.
"Debunking 'Caveman' conspiracy theories since 2002" What exactly are you depicting with the white blob moving up and down? Good post, btw, and thanks for sharing. Two attack objects: 737 and its missile?
Why should the manipulators at the Pentagon go to so much work to show us nothing? -- other than that they are idiots. Does anybody have a theory?
The "white blob" called the "nose cone" the media is the distraction. Above the white blob; the purple area, appears to be the front of the "plane". Two attack objects: 737 and its missile? That is also my current conclusion. or: What if it wasn't a C-130? "Debunking 'Caveman' conspiracy theories since 2002" valis, are you familiar with a site called http://www.911myths.com (I think it's com, it might be org). It's one of these debunking sites. I'm sure there's a few of them. Have you or any one you know argued with these guys and debunked their debunking? I'd really like to see these two groups argue this stuff out.
"I woke up in the CRAZY HOUSE."
Most of their arguments are easily debunkable. Just google "debunking 9/11 myths" or "debunking popular mechanics 9/11". Soon, you'll see it big time: "Debunking 'Caveman' conspiracy theories since 2002"
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#2. To: TommyTheMadArtist (#0)
#3. To: valis, TommyTheMadArtist, Itisa1mosttoolate (#0)
NTSC is interlaced, meaning that alternate rows of pixels are refreshed at twice the quoted frame rate. So that, with a NTSC frame rate of just under 30 fps, old and even pixels rows are alternately refreshed at just under 60Hz. To save video tape, Analog cameras only record one frame every second or so, and that seems to be the case here. (Modern digital CCTV systems commonly record at a variable framerate, depending on activity in the scene. The fact that this did not happen here is further evidence that the system is an older Analog CCTV)
#4. To: robin, *9-11* (#3)
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#5. To: valis (#4)
#6. To: All (#5)
#7. To: ratcat (#5)
http://freedom4um.com/cgi-bin/readart.cgi?ArtNum=26568&Disp=1#C1
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#8. To: valis (#0)
#9. To: mehitable (#8)
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