Where it all comes from: the Jews creating one Miley Cyrus after another

Source: https://vnnforum.com/showthread.php?t=178054
Published: Jun 25, 2020
Author: Meadows
Post Date: 2020-06-25 06:58:42 by NeoconsNailed
Views: 123

Quote: Originally Posted by Alex Linder View Post fascinating on pop music and sweden http://www.psmag.com/navigation/book...fluence-73966/ Quote: At some point over the last 15 years—sometime, say, between the 1999 release of “I Want It That Way” by the Backstreet Boys and last year’s “Roar” by Katy Perry—it became an inescapable fact that if you want to understand American pop music, you pretty much have to understand Sweden.

Songwriters and producers from Stockholm have buttressed the careers of Lady Gaga, Madonna, Usher, Avril Lavigne, Britney Spears, The Backstreet Boys, Pitbull, Taylor Swift, One Direction, Maroon 5, Kelly Clarkson, and any number of other artists you’ve probably listened to while dancing, shopping, making out, or waiting on hold over the past decade. (And it’s not just American pop music that has Scandinavian fingerprints all over it: When Azerbaijan won the Eurovision contest in a 2011 upset, they did it with a song written for them by two Swedes.)

If Americans are aware of this phenomenon, it is probably because they’ve heard about the legendary Swedish producer and songwriter Max Martin. There are any number of ways to express Martin’s ubiquity, but here’s one: From 2010 to 2011, the pop idol Katy Perry spent an unprecedented 69 consecutive weeks in the Billboard top 10, surpassing the previous record-holder, the 1990s Swedish group Ace of Base, by four months. But the milestone was far more of a testament to Martin’s staying power than Perry’s: Not only did he help produce and write all but one of Perry’s record-breaking string of hits, but he began his career as a producer for Ace of Base. Max Martin has produced more number-one songs than anyone besides George Martin, the so-called fifth Beatle. Yes, fascinating stuff. But I already knew this since I've been following the Swedish music scene closely since the 1990s, when Max Martin's mentor Denniz Pop was producing and writing songs for talented super stars like E-Type, Dr. Alban, Backstreet Boys, Britney Spears, N'Sync, Ace of Base, etc.

It's important to point out, though, that while the talent came from Sweden, the power stayed in jewish hands. For example, look at the following quote from the article in the OP:

Quote: In the mid-1990s, the great American art of teen pop was being reinvented in Central Florida. The Backstreet Boys, ’N Sync, Britney Spears: All these acts came out of Orlando, through various connections to Walt Disney World and the manager Lou Pearlman. But their hit singles came out of Cheiron. The days when “I Want It That Way” and “...Baby One More Time” dominated the American charts marked the onset of what became known as the Swedish “music miracle.” The jewish record producer Lou Pearlman embezzled huge sums of money, and amazingly he was caught and sent to prison for it. (Most jews usually get away with their countless crimes.)

Quote: Louis Jay Pearlman (June 19, 1954 – August 19, 2016) was an American record producer, con artist and fraudster. He was the manager of successful 1990s boy bands such as Backstreet Boys and NSYNC. In 2006, he was accused of running one of the largest and longest- running Ponzi schemes in history, leaving more than $300 million in debts. After being apprehended, he pleaded guilty to conspiracy, money laundering, and making false statements during a bankruptcy proceeding. In 2008, Pearlman was convicted and sentenced to up to 25 years in prison.[3][4] He died in federal custody in 2016. (...) the only child of Jewish parents https://en.wikipedia.org/wiki/Lou_Pearlman

Pearlman was also a (homo)sexual predator who molested the boys whose careers he was supposed to advance:

Quote: New Report: Boy Band Guru A Predatory Pedophile

Lou Pearlman - the hog-fat, boy-band honcho who created *NSYNC and the Backstreet Boys and launched the careers of Justin Timberlake and Nick Carter - was a pervy pedophile who preyed on the young men he mentored, Vanity Fair reports. (...) Mooney said he once asked Pearlman, who was known as “Big Poppa,” what it would take for him to get into a band. “I’ll never forget this as long as I live. He leaned back in his chair, in his white terry cloth robe and white underwear, and spread his legs,” Mooney told Burrough. “And then he said, and these were his exact words, ‘You’re a smart boy. Figure it out.’ https://www.huffpost.com/entry/new-r...4?guccounter=1

Quote: Mad About the Boys

Until he fled the country in January, accused of embezzling more than $300 million, Lou Pearlman was famous as the impresario behind the Backstreet Boys and ‘NSync. Turns out his investors weren’t the only victims, colleagues reveal: Pearlman’s passion for boy bands was also a passion for boys. (...) Some, especially the teenagers, shrugged and giggled when he showed them pornographic movies or jumped naked onto their beds in the morning to wrestle and play. Others, it appears, didn’t get off so easily. These were the young singers seen emerging from his bedroom late at night, buttoning their pants, sheepish looks on their faces. Some deny anything improper ever happened. But the parents of at least one, a member of the Backstreet Boys, complained. And for any number of young men who sought to join the world’s greatest boy bands, Big Poppa’s attentions were an open secret, the price some paid for fame.

“Some guys joked about it; I remember [one singer] asking me, ‘Have you let Lou blow you yet?’” says Steve Mooney, an aspiring singer who served as Pearlman’s assistant and lived in his home for two years. “I would absolutely say the guy was a sexual predator. All the talent knew what Lou’s game was. If they say no, they’re lying to you.” https://www.vanityfair.com/news/2007/11/pearlman200711

Lou Pearlman. "Trust me."

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Poster Comment:

Now we're breaking out the real private stock -- VNN, Vanguard News Network. Alex Linder and company! Thus the format which may seem strange and disjointed above. PLEASE CLICK for the full, fulsome effect of this extra-special exposé on a major, little-noticed subject -- the long-term, strategic, tactical, racist, genocidal, systematically jewish poisoning of popular music.

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